Portrait of an Industrial Landscape

Artist Statement

Portrait of an Industrial Landscape investigates the landscapes of Denver and Commerce City.  Though many complain about the impact these buildings have on the environment, they provide energy and power, and are therefore a necessary evil.  The pollution they produce may not be beautiful, but there is an appealing quality to the architecture of these buildings.  The intricate facades and the palette applied inform the aesthetic of this series, which give each built structure character.  These monuments represent industry, technology, and energy and the use of acrylic paint is a conscious one.  A technological advancement in paint and its durability, acrylic paint helps highlight the tension between old and new. The deconstructive technique explores the buildings’ place within the city fabric of Denver, intending a discourse on the need for alternative energy as well as the disappearance of the working class.  

The buildings are relics of a previous period, reflecting on post-industry in Denver and Commerce City.  Portrait of an Industrial Landscape explores contemporary theory and aesthetics conveying the change of time.  These edifices are perceived as a monument to the antiquated resource I hope people will one day no longer depend on.  It is a mystery what Denver will look like in the future, especially given its current rate of rapid growth.   It is uncertain whether these structures will remain part of the future landscape.  These paintings serve as a snapshot of the fascinating contrast between the archaic beauty of these structures and the public demand for an alternative energy source as well as a reminder to future generations about the consequences of using carbon-based energy as a way to sustain human existence.

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